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Press Photographs for White Light
United Independent Pictures Ltd.
© Susie Allnutt - Photographer

PLEASE NOTE: If you use any of the stills below, the following credits 'must' be included in your article: The films' name 'White Light'; the production company 'United Independent Pictures Ltd.' or 'UIP Ltd' for short; the web sites address 'www.makingmymovie.com'; and 'Photographs by Susie Allnut'. If you have any more question regarding usage, please contact info@uipl.co.uk

You will find photographs from Charles Teton's first feature film Dark Summer here.

(These high resolution photographs have been scanned from 35mm negative, producing either a 24mb file in RGB or 8mb file in Greyscale. The image size is 3602 x 2329 pixels at 72 pixels/inch, which is scalable to A4 at 300 dpi if neccessary.)

To download the files, which are all approx. 4 mb, please right click the file link and the select a destination on your Hard Drive.


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Checkpoint 1, soldier and Peter McMullen's girlfriend Frances (Nicola Westmore).

EXCLUSIVE


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Checkpoint 1, soldier and TV Cameraman, Peter McMullen (Ed Dehn).

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Checkpoint 1, soldier and Peter McMullen (Ed Dehn) and misc.crew.

EXCLUSIVE


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Checkpoint 1, soldier and Peter McMullen's girlfriend Frances (Nicola Westmore).

EXCLUSIVE

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Scout Helicopter, Director/DOP, Charles Teton, talks with owner & pilot, Tim Manna & Phil Shaw, and Stunt Co-ordinator, Paul Flanagan.

EXCLUSIVE


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Scout Helicopter, Pilot, Phil Shaw and Peter McMullen (Ed Dehn).

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Scout Helicopter, Pilot, Phil Shaw and Peter McMullen (Ed Dehn).


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Refugee Scene, Head of Sound, John Morgan, Director/DOP Charles Teton and Gaffer Neil Rigby.

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Refugee Scene, Head of Sound, John Morgan.

EXCLUSIVE


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Refugee Scene

EXCLUSIVE

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East European Rooftop, Director/DOP, Charles Teton, talks through a scene with Peter McMullen (Ed Dehn), and Frances (Nicola Westmore).

EXCLUSIVE


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Checkpoint 1, Director/DOP, Charles Teton, frames up with Ikegami HL-DV7W

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Checkpiont 1

EXCLUSIVE


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Checkpoint 1, from left, Co-Producer, Karin Strandberg, Gaffer, Neil Rigby, Director/DOP, Charles Teton and Soldier.

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Checkpiont 1, from left, Gaffer, Neil Rigby, and Director/DOP, Charles Teton talk through a shot.


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London Apartment, Peter McMullen, played by Ed Dehn, watches his now dead girlfriend Frances, played by Nicola Westmore, on PowerBook G4.

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Checkpoint 2, Director/DOP, Charles Teton, frames a shot with Ikegami HL-DV7W.


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Checkpoint 2, Soldier.

EXCLUSIVE

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Mass Grave, Peter McMullen (Ed Dehn).

EXCLUSIVE


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Refugee Scene

EXCLUSIVE

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Refugee Screne


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Refugee Screne

EXCLUSIVE

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Checkpoint 2, Gaffer, Neil Rigby, and Director/DOP, Charles Teton frames up a tracking shot.


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Checkpiont 2

EXCLUSIVE

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Checkpoint 2, Director/DOP, Charles Teton, and siting down, Continuity, Katie Nagles.

EXCLUSIVE


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Checkpoint 1, Ikegami HL-DV7W and Head of Sound, John Morgan.

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Checkpoint 2, Ikegami HL-DV7W and Soldier.


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Refugee Scene, Frances (Nicola Westmore) and Director/DOP, Charles Teton, talk through a scene.

EXCLUSIVE

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Refugee Scene

EXCLUSIVE


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Refugee Scene, from left, Military Consultant, Boris Glavocevic; Peter McMullen (Ed Dehn); Continuity, Katie Nagles; Toby Goddard; Director/DOP, Charles Teton and John Wood

EXCLUSIVE

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East European Rooftop, Director/DOP, Charles Teton, frames a shot with Frances (Nicola Westmore) Continuity, Katie Nagles, in background

EXCLUSIVE


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East European Rooftop, from left, Documentary/Website Cameraman & Editor, Johnny Williams, Director/DOP, Charles Teton and Peter McMullen (Ed Dehn) talk through a scene.

EXCLUSIVE

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Checkpoint 2, Director/DOP, Charles Teton and Peter McMullen (Ed Dehn) rehearse a scene.


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Checkpoint 2, Director/DOP, Charles Teton and Peter McMullen (Ed Dehn) and Soldier rehearse a scene.

EXCLUSIVE

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Checkpoint 2, Ikegami HL-DV7W and crew.


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Checkpoint 2, Director/DOP frames a shot with Ikegami HL-DV7W and crew.

'EXCLUSIVE' means that the photograph has not been used in a magazine or newpaper. About half the photos have not been used on the www.makingmymovie.com website.


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I would also like to thank the following companies who have make the filming of White Light possible: